May 29, 2012

New Album Reviews - 5/29/2012 - Scissor Sisters and Regina Spektor

Scissor Sisters Magic Hour

The Grammy nominated, glam-skewing electropop music makers return with their fourth studio album.

This time around they stick close to the catchy electropop style we have embraced since their debut album while incorporating a throwback feel with Bee Gees and Elton John inspired disco flourishes peppered throughout the album.

The album opens with several buoyant and toe-tapping tracks including "Baby Come Home" and the first single off the album, "Only The Horses," whose playful melodies and catchy hooks lay the path for an enticing beginning to the disc.

Unfortunately the album does lose itself for two tracks in the middle of the album with the weird electroclash and house music track "Let's Have a Kiki" and the feedback heavy "Shady Love" with its discordant chorus that throws off the flow of the album substantially.


The last half of the album has a somewhat slower tempo and more somber feel overall, although that's not to say the songs are any less engaging.  In fact, the track I found most enchanting of the album fits this bill with the tender homage "San Luis Obispo" with it tropical drumming and sweet guitar melody.

The entrancing "The Secret Life of Letters" has a more temperate chamber pop feel with its ethereal "ooh's" and its chamber pop instrumentation.  While "Somewhere" is an ideal closing song that is both soothing enough where you don't mind letting the album end and engaging enough where you'll to listen to the album again. 

Magic Hour ends up being a fantastic disc from the dance music creators where they exhibit more diverse musical tastes with some successful slower tempo tracks as well as some that have a heavier house and industrial electronica feel.

This album may not be their best release overall but its much more successful on many different levels including being less homogeneous than their last release, Night Work and easily stands shoulder to shoulder with their first two albums.

Score: 9/10 
Song(s) to Sample: "Only The Horses" [sample it below], "San Luis Obispo" and "Self Control"







Regina Spektor What We Saw From The Cheap Seats


The quirky Russian-born but NYC-based baroque pop singer/songwriter releases her sixth studio album.


It's another diverse album from Spektor this time around bouncing to and fro different styles and varied tones as she moves us along the album.


In the beginning she goes big on the indie pop songwriting style channeling her inner Poe or Ani DiFranco with the two opening tracks, "Small Town Moon" and "Oh Marcello."  Both songs start off as a sweet piano-driven ditties where in the former Spektor's breathy vocals add both a sweetness and introspective feel as she laments about leaving her small town while in the latter she experiments more with her vocal capabilities creating off-kilter sounds with what I'm going to call her indie beatboxing on the sillier song. 


Next up is the spectacular "Don't Leave Me (Ne Me Quitte Pas)" which has a lush melody incorporating keyboard, synthesizers and a horn section to great aplomb in the sweeping and joyous track.  However it is Spektor's light and jaunty vocals that create the fun and carnival-esque atmosphere although fans of Spektor will realize this is an updated version of a track from her 2002 album Songs. 


From there Spektor goes on to display a wide array of musical and vocal styles on the album.  You get more somber ballads like the somber "Firewood" and the soulful "How." You also get songs on the other side of the spectrum like the haunting and almost accusatory-sounding "All The Rowboats" about how artwork has "the price to pay" for being beautiful by being forever stuck in museums she calls "public mausoleums."


While I am definitely a fan of that song, I won't even pretend to say I completely understand the point she is trying to make and that is part of the beauty and genius of this album. 


This album takes you on an aural journey and you pleasantly wonder what kind of song Spektor is going to present us as we traverse each step.  Due to the wide variety of music she gives us on the album, there are going to be hit and misses along the way but it is a journey well worth taking. 

Score:
8/10
Song(s) to Sample:
"Don't Leave Me (Ne Me Quitte Pas) [sample it below], "How" and "All The Rowboats"

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