Various Artists Just Tell Me That You Want Me - Tribute to Fleetwood Mac
From the same producers and creative team that cobbled together last year's Buddy Holly tribute album comes this 17-track homage to Mick Fleetwood and co.'s legendary band.
Each track is performed by a different artist and it is a more eclectic mix of artists than on the Buddy Holly tribute, although the names aren't as big this time around. I won't list all the artists here (you can click on the album cover to the left and see the performers' names yourself) but they run the full gamut of mainstream genres.
The album starts off strangely with a slightly trippy (and longer) version of the instrumental song "Albatross" before Antony's cover of Mac's hit "Landslide" which is even more toned down and mellow than the original. Besides Antony's quieted vocals not being able to equal the pain of Stevie Nick's on the original, this version also strips down the melody to create an even moodier track without any of the beauty.
Things start to pickup a few tracks later starting with Billy Gibbons & Co.'s southern rock cover "Oh Well" in which they wring out maximum emotion with some high powered guitar licks. The New Pornographers mostly faithful version of "Think About Me" shows how appealing these tunes can still be today even if their vocal harmonies are a pale comparison to the original's.
While this album has the same inconsistency problems as the aforementioned Buddy Holly tribute album, it is grander and more diverse than that disc. No doubt, some of that has to do with more diverse and genre-crossing material of the source artists' works, but it makes this disc more appealing than the Holly tribute.
This album will have some appeal if you're a fan of Fleetwood Mac, but there's no version of a song on here that comes close to the originals you are already used to and in that regard the Holly album is superior. But this is the (slightly) better album to listen to overall as it has a wider range of artists which leads to more diverse covers.
Score: 6.5/10
Song(s) to Sample: Tame Impala's "That's All For Everyone" and Garden & Villa's "Gypsy"
Slightly Stoopid Top Of The World
The psy and dub rockers from San Diego release their seventh studio album and their first since 2008.
Unlike their earlier releases where they sounded like some cross between Sublime and Rancid; today, they are heavily influenced by dub music with slower, rhythmic tempos and reggae-heavy melodies.
The band does give us a whopping 21-tracks on this album, with nearly all of the songs, including even the ballads, having a heavy dub feel. If anything, I miss the life of their early albums as this one had me yawning in a couple of sections especially on the tracks when the horn section is conspicuously absent.
There is one track that outshines all the others--and it features one of my favorite named artists from the music industry: Chali 2na (Jurassic 5, Ozamatli)--"Just Thinking." It sounds like more like a soul hit with toned down horns and 2na's deep voiced rapping verses deemphasized in favor of the silk melody.
Other than that, the tracks seemed to blend together both on the first listen and on subsequent listens. Even their cover of Bruce Springsteen's "I'm On Fire" doesn't bring anything new to the song and its presence as the penultimate song isn't positioned high enough to break up the earlier monotony.
After the four year hiatus, the band has taken a more mellow approach which sadly leaves us with a lot of similar sounding tunes without any breakout songs.
Score: 5/10
Song(s) to Sample: "Just Thinking"
Each week I will listen to and review/preview a handful of the more interesting music albums released that week. The genres I will mainly focus on are Rock, Pop, Indie, Hip-Hop, Rap, and Electronic.
Aug 7, 2012
New Album Reviews - 8/7/2012 - Elle Varner and Jim Coleman
Elle Varner Perfect Imperfect
The daughter of two music industry vets (her mother sang backup for Barry White and her father wrote songs for and collaborated with Kool & The Gang) releases her debut CD of soul music.
The album opens with her already released single "Only Wanna Give It To You" which features rapper J. Cole and has ranked as high as #20 on the U.S. R&B charts. For the uninitiated, it's a beguiling song whose big hook and catchy refrains that leave a good immediate impression although, sadly, not a lasting one.
On that track and on most of the album, Varner's strained timber to her otherwise silky vocals is the main draw of the album because she is able to emote a certain melancholy that immediately affects the listener's emotions, like a poor man's Alicia Keys.
While her vocals may live up to that comparison, her songwriting at this point of her career is just poor with uninspired R&B melodies that almost come off as generic standards with arrangements that could use more life.
Overall, Perfect Imperfect, lives up to its name with Varner's perfectly emotive vocals mixed with imperfect songwriting and layout. Varner is able to showoff her singing chops and they leave her songwriting skills in the dust.
Hopefully the next time around she hooks up with a producer who can elevate her arrangements to the level her vocals are already at. Still, for a debut album, there's enough good on the disc for me to recommend it to Soul and R&B lovers, especially if they like slow jams.
Score: 7/10
Song(s) to Sample: "Only Wanna Give It To You" and "Sound Proof Room"
Jim Coleman Trees
The electronic music maker and former member of Cop Shoot Cop releases his debut solo album.
The physical disc for this album doesn't get released until September but you can purchase the MP3 version of it beginning this week from most online retailers.
The tracks given to us on this album are somnambulistic ambient tunes without any structured melodies or cohesive beats to keep the music moving along as you would find in most modern songwriting. It's basically what I imagine the soundtrack to Brian Eno's or Vangelis' dreams must sound like.
It's very high in both mood and atmosphere from beginning to end although the song titles seem to have been chosen at random. For example, the third track "Summer Heat" which you might think would have some type of quicker tempo is instead a slow synthesizer exercise that doesn't elicit much heat.
Trees ends up being more plodding than entrancing even considering the slow nature of the genre this album fits in. It's a moody album that would be more appropriate if it were released around Halloween or during the winter due to its slow, Blade Runner-esque sound. As a late summer release, this album can't see the forest or the trees.
Score: 3/10
Song(s) to Sample: "In To Another Place"
The daughter of two music industry vets (her mother sang backup for Barry White and her father wrote songs for and collaborated with Kool & The Gang) releases her debut CD of soul music.
The album opens with her already released single "Only Wanna Give It To You" which features rapper J. Cole and has ranked as high as #20 on the U.S. R&B charts. For the uninitiated, it's a beguiling song whose big hook and catchy refrains that leave a good immediate impression although, sadly, not a lasting one.
On that track and on most of the album, Varner's strained timber to her otherwise silky vocals is the main draw of the album because she is able to emote a certain melancholy that immediately affects the listener's emotions, like a poor man's Alicia Keys.
While her vocals may live up to that comparison, her songwriting at this point of her career is just poor with uninspired R&B melodies that almost come off as generic standards with arrangements that could use more life.
Overall, Perfect Imperfect, lives up to its name with Varner's perfectly emotive vocals mixed with imperfect songwriting and layout. Varner is able to showoff her singing chops and they leave her songwriting skills in the dust.
Hopefully the next time around she hooks up with a producer who can elevate her arrangements to the level her vocals are already at. Still, for a debut album, there's enough good on the disc for me to recommend it to Soul and R&B lovers, especially if they like slow jams.
Score: 7/10
Song(s) to Sample: "Only Wanna Give It To You" and "Sound Proof Room"
Jim Coleman Trees
The electronic music maker and former member of Cop Shoot Cop releases his debut solo album.
The physical disc for this album doesn't get released until September but you can purchase the MP3 version of it beginning this week from most online retailers.
The tracks given to us on this album are somnambulistic ambient tunes without any structured melodies or cohesive beats to keep the music moving along as you would find in most modern songwriting. It's basically what I imagine the soundtrack to Brian Eno's or Vangelis' dreams must sound like.
It's very high in both mood and atmosphere from beginning to end although the song titles seem to have been chosen at random. For example, the third track "Summer Heat" which you might think would have some type of quicker tempo is instead a slow synthesizer exercise that doesn't elicit much heat.
Trees ends up being more plodding than entrancing even considering the slow nature of the genre this album fits in. It's a moody album that would be more appropriate if it were released around Halloween or during the winter due to its slow, Blade Runner-esque sound. As a late summer release, this album can't see the forest or the trees.
Score: 3/10
Song(s) to Sample: "In To Another Place"
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