Hot Panda Go Outside
The unique indie rock quartet from Canada named after an Edmonton Chinese restaurant release their third studio album.
After a solid debut album and a tepid sophomore release, the band returned to the studio and laid down 11 tracks for this disc.
Go Outside is a much more cohesive than their last release and a more cogent album than their debut outing. The music itself is still non-standard, often times discordant, melodies with lots of alternative sounding, feedback-laden guitar riffs and frontman Chris Connelly's less raspy, Julian Casablancas-lite crooning style that will appeal to indie music fans because of its nonconformist ways.
For those fans that do like hard indie music, you will be in for a real treat. The album gets going right away with the pulse pounding "One in the Head, One in the Chest" and continues for the first five tracks through "Maybe Now" mixing in both prog and acid touches, plus going acoustic on one track, to maximum effect.
Go Outside isn't the most accessible disc being released this summer and it will only appeal to small group of indie music fans but those fans are going to be very impressed with the music found on this album. The album also grows on you with repeated listens so don't expect to fall in love with it on your first spin.
While their last disc lost some of the momentum built by their very solid debut, this album redirects their trajectory back into an upward direction. A well paced album with lots of indie quirkiness to fall in love with, especially during the first five tracks.
Score: 7.5/10
Song(s) to Sample: "One in the Head, One in the Chest", "Future Markets" and "Maybe Now"
The History of Panic Fight! Fight! Fight!
This is the debut album from Mr. Pan!c, nee Gerald Roesser, who is, according to the band's website, "a Detroit-based multi-instrumentalist, vocalist and songwriter" who "grew up with a steady diet of techno and Morrissey." Good 'nuff for me!
In fact, once you start listening to the music on this disc, you would be able to figure that much out by yourself with the heavy New Wave influenced melodies plus backing beats that sound like laid back versions of Detroit techno ditties (think: Derrick May on multiple ambien).
Considering this is basically a one man band, Mr. Pan!c is able create a real vibrancy with his richly layered music that will have you humming along or tapping your toe before you realize you are doing it.
This album will appeal more to people that grew up loving New Wave or Britpop music, but the songs are catchy enough that fans of Pop, and especially electropop, music should also give the disc a shot.
The bouncy tunes have instant appeal and Mr. Pan!c has learned how to craft songs with hooks that evoke high levels of fun and entertainment while still trying to get his message across.
For a debut album, Fight! Fight! Fight! delivers on multiple levels and is very impressive. Let us hope we get more releases from The History of Panic that can match or exceed this disc down the road.
Score: 9/10
Song(s) to Sample: "Anthem for Panic", "Out of Control" and "Own Up"
PROGRAMMING NOTE: I'm out of town next week so there won't be any new reviews until the following week. Thanks,
-Dunner
Each week I will listen to and review/preview a handful of the more interesting music albums released that week. The genres I will mainly focus on are Rock, Pop, Indie, Hip-Hop, Rap, and Electronic.
Showing posts with label Hot Panda. Show all posts
Showing posts with label Hot Panda. Show all posts
Jul 17, 2012
Oct 12, 2010
New Music from 10/12/2010 - Badly Drawn Boy, Less Than Jake, Care Bears on Fire, and Hot Panda
Badly Drawn Boy It's What I'm Thinking - British singer/songwriter Damon Gough, a.k.a. Badly Drawn Boy, releases his seventh studio album (not counting things like the About A Boy soundtrack which he entirely scored and wrote songs for). Curiously, Twisted Nerve Records (the record label Gough co-founded with Andy Votel) is not the label releasing this album. I'm not sure why that is but let's see if releasing the album on a different label changes the style of music Badly Drawn Boy gives to us.
The music presented to us is still distinctly Badly Drawn Boy with its richly layered but subtle indie, predominantly acoustic, music tones. The album starts on a very somber note with the first track, "In Safe Hands." It has a haunting melody but the slow tempo and airy, distant vocals make it an odd opening song that doesn't do much to draw the listener in. The second song, "The Order of Things," does a better job of attracting the attention of the listener with more intimate vocals but the melody and overall tone still seems overly sullen. Things start to pick up slightly from this point of the album though with "Too Many Miracles'" lusher opening with horns supplementing the usual acoustic guitar and keyboards. "What Tomorrow Brings" opens with a very beautiful piano melody and then incorporates violins during the bridge and chorus to help compliment Gough's subtle, restrained vocal work. Near the end of the album, "This Electric" was one of the songs I found most pleasing with its wide ranging use of instruments and downtempo vocal style.
Being on a new record label does not alter the style of music Badly Drawn Boy gives us. It's a more somber release in total than some of his more recent works but he doesn't venture from his typical songwriting style much which should please longtime fans. As an album, I thought the track layout was a questionable one as the beginning of the album doesn't help itself out by doing too little to grab the attention of the listener. However, once you get past those first couple of tracks, you will find a much more accessible album when Gough's ability to create pleasing and catchy melodies and hooks from incorporating many different instruments and singing styles is on greater display.
Score: 7.5/10
Song(s) to Sample: "Too Many Miracles" and "This Electric"
Care Bears on Fire Girls Like it Loud (EP) - Normally I try to review full releases and not EPs but I figured an all-female trio pop punk band from Brooklyn with an awesome band name like that deserves a listen. If you have kids (or just like kiddie TV), you might have seen Care Bears on Fire on an episode of Nickelodeon's True Jackson, VP that also guest starred Justin Bieber. I've never seen the show but I do know it stars the girl from the very clever movie Akeelah and the Bee so it can't be completely horrible. But enough about kiddie TV shows, let's get to the five tracks on this EP.
The disc opens with "What I Could Be" which nimbly displays the band's peppy and palatable pop punk sound. Right off the bat the infectious sound draws you right into the song and the quick paced nature of the two female vocal leads only help to enhance the feel of the song. "Red Lights" is a more standard pop song with less complex hooks but a catchy chorus that prevents the song from sounding generic. This is counterbalanced with the next songs, "ATM" and "Ask Me How I Am" which tone down the pop for a more traditional speedy punk tempos and hard rocking chord changes. The album ends interestingly enough with a punk cover of Tears for Fears' "Everybody Wants To Rule the World." Not surprisingly, the song is sped up with a faster punk tempo but I found the quick but relatively monotone vocal work to be the most interesting part of the cover as it contrasted well with the emotion in the original version, although the punk-like screaming of the chorus was a bit too obvious.
Care Bears on Fire give us a very interesting EP that gives us a good example of their NY kid-core sound. The EP has a very polished punk vibe while still managing to incorporate pop hooks and melodies in most of their songs without ever sounding too bubblegum pop-y like a lot of youth oriented bands today or too vulgar like the more hardcore punk bands. You can see why media outlets as opposite Nickelodeon and Spin Magazine have featured Care Bears on Fire at various times over the past few years. Their sound has the ability to appeal to a wide spectrum of listener tastes and, even more impressively, across a wide spectrum of listener ages.
Score: 6.5/10
Song(s) to Sample: "What I Could Be"
Hot Panda How Come I'm Dead? - The Canadian band named after an Edmonton Chinese restaurant release their sophomore album. I thought their first album, Volcano... Bloody Volcano, had some definite bright spots although it wouldn't be what I would call a complete album. I would describe their music as indie rock with some noise rock or post-punk revival skewings. I wouldn't quite call them indie punk though as I tend to think of that as more punk music with indie influences.
"Pools" is the first song on the album that exhibits some of the charm and magic that was glimpsed on their first release. The lyrics, sung in a light punk style, contrasts very effectively with the jangly, almost dream pop-like, melody to create a charming song. The band does manage to vary its sound to a greater degree on this album. "Shoot Your Horse" pays homage to country music although there are only minimal parts of the song that actually gains their roots from country music. While songs like "Clever Fox" and "Poor Little Ambulance" use a slower tempo style than what the band typically exhibits. They don't forgo their punk influences either as songs like "Mindlessnesslessness" and "1995" will show you.
Again, Hot Panda gives us an album with a few bright spots but an overall inconsistent album. I probably liked more of the songs on this release than the tracks from their first album but the band hasn't grown much between releases as their style hasn't really evolved from what they gave us before. That would be fine if what they gave us before was really awesome but that would not be the case as far as Hot Panda is concerned. Again they give us some potential but eventually they will have to turn that potential into a quality album before they are able to gain a larger following. I still love the origin of the band's name though.
Score: 6/10
Song(s) to Sample: "Pools"
A preview of Less Than Jake's TV/EP - I won't give a full review of the ska/punk band's new EP because the 16 track disc lasts only about thirteen minutes long but I love cover songs so much that I thought the disc should get a mention.
Basically, this EP is a re-imagining of TV theme songs and songs from television commercials in the ska/punk style the band is known for. Song choices range from about the 1970's through modern times with the greatest emphasis on stuff from today and stuff from the 80's and 90's when most of the band was growing up. The song choice is an eclectic mix with some obvious choices ("Theme from Diff'rent Strokes" which was originally written by Alan Thicke, believe it or not) and some not-so-obvious choices (the song from the FreeCreditReport.com commercials--wtf?!?!). Because the EP doesn't actually list the songs covered (each track is just labeled "Channel 1," "Channel 2," etcetera, all the way through to "Channel 16") let me give you the songs as I have been able to identify them:
Score: N/A
Song(s) to Sample: "That 70's Show theme" and "Malcolm in the Middle theme"
The music presented to us is still distinctly Badly Drawn Boy with its richly layered but subtle indie, predominantly acoustic, music tones. The album starts on a very somber note with the first track, "In Safe Hands." It has a haunting melody but the slow tempo and airy, distant vocals make it an odd opening song that doesn't do much to draw the listener in. The second song, "The Order of Things," does a better job of attracting the attention of the listener with more intimate vocals but the melody and overall tone still seems overly sullen. Things start to pick up slightly from this point of the album though with "Too Many Miracles'" lusher opening with horns supplementing the usual acoustic guitar and keyboards. "What Tomorrow Brings" opens with a very beautiful piano melody and then incorporates violins during the bridge and chorus to help compliment Gough's subtle, restrained vocal work. Near the end of the album, "This Electric" was one of the songs I found most pleasing with its wide ranging use of instruments and downtempo vocal style.
Being on a new record label does not alter the style of music Badly Drawn Boy gives us. It's a more somber release in total than some of his more recent works but he doesn't venture from his typical songwriting style much which should please longtime fans. As an album, I thought the track layout was a questionable one as the beginning of the album doesn't help itself out by doing too little to grab the attention of the listener. However, once you get past those first couple of tracks, you will find a much more accessible album when Gough's ability to create pleasing and catchy melodies and hooks from incorporating many different instruments and singing styles is on greater display.
Score: 7.5/10
Song(s) to Sample: "Too Many Miracles" and "This Electric"
Care Bears on Fire Girls Like it Loud (EP) - Normally I try to review full releases and not EPs but I figured an all-female trio pop punk band from Brooklyn with an awesome band name like that deserves a listen. If you have kids (or just like kiddie TV), you might have seen Care Bears on Fire on an episode of Nickelodeon's True Jackson, VP that also guest starred Justin Bieber. I've never seen the show but I do know it stars the girl from the very clever movie Akeelah and the Bee so it can't be completely horrible. But enough about kiddie TV shows, let's get to the five tracks on this EP.
The disc opens with "What I Could Be" which nimbly displays the band's peppy and palatable pop punk sound. Right off the bat the infectious sound draws you right into the song and the quick paced nature of the two female vocal leads only help to enhance the feel of the song. "Red Lights" is a more standard pop song with less complex hooks but a catchy chorus that prevents the song from sounding generic. This is counterbalanced with the next songs, "ATM" and "Ask Me How I Am" which tone down the pop for a more traditional speedy punk tempos and hard rocking chord changes. The album ends interestingly enough with a punk cover of Tears for Fears' "Everybody Wants To Rule the World." Not surprisingly, the song is sped up with a faster punk tempo but I found the quick but relatively monotone vocal work to be the most interesting part of the cover as it contrasted well with the emotion in the original version, although the punk-like screaming of the chorus was a bit too obvious.
Care Bears on Fire give us a very interesting EP that gives us a good example of their NY kid-core sound. The EP has a very polished punk vibe while still managing to incorporate pop hooks and melodies in most of their songs without ever sounding too bubblegum pop-y like a lot of youth oriented bands today or too vulgar like the more hardcore punk bands. You can see why media outlets as opposite Nickelodeon and Spin Magazine have featured Care Bears on Fire at various times over the past few years. Their sound has the ability to appeal to a wide spectrum of listener tastes and, even more impressively, across a wide spectrum of listener ages.
Score: 6.5/10
Song(s) to Sample: "What I Could Be"
Hot Panda How Come I'm Dead? - The Canadian band named after an Edmonton Chinese restaurant release their sophomore album. I thought their first album, Volcano... Bloody Volcano, had some definite bright spots although it wouldn't be what I would call a complete album. I would describe their music as indie rock with some noise rock or post-punk revival skewings. I wouldn't quite call them indie punk though as I tend to think of that as more punk music with indie influences.
"Pools" is the first song on the album that exhibits some of the charm and magic that was glimpsed on their first release. The lyrics, sung in a light punk style, contrasts very effectively with the jangly, almost dream pop-like, melody to create a charming song. The band does manage to vary its sound to a greater degree on this album. "Shoot Your Horse" pays homage to country music although there are only minimal parts of the song that actually gains their roots from country music. While songs like "Clever Fox" and "Poor Little Ambulance" use a slower tempo style than what the band typically exhibits. They don't forgo their punk influences either as songs like "Mindlessnesslessness" and "1995" will show you.
Again, Hot Panda gives us an album with a few bright spots but an overall inconsistent album. I probably liked more of the songs on this release than the tracks from their first album but the band hasn't grown much between releases as their style hasn't really evolved from what they gave us before. That would be fine if what they gave us before was really awesome but that would not be the case as far as Hot Panda is concerned. Again they give us some potential but eventually they will have to turn that potential into a quality album before they are able to gain a larger following. I still love the origin of the band's name though.
Score: 6/10
Song(s) to Sample: "Pools"
A preview of Less Than Jake's TV/EP - I won't give a full review of the ska/punk band's new EP because the 16 track disc lasts only about thirteen minutes long but I love cover songs so much that I thought the disc should get a mention.
Basically, this EP is a re-imagining of TV theme songs and songs from television commercials in the ska/punk style the band is known for. Song choices range from about the 1970's through modern times with the greatest emphasis on stuff from today and stuff from the 80's and 90's when most of the band was growing up. The song choice is an eclectic mix with some obvious choices ("Theme from Diff'rent Strokes" which was originally written by Alan Thicke, believe it or not) and some not-so-obvious choices (the song from the FreeCreditReport.com commercials--wtf?!?!). Because the EP doesn't actually list the songs covered (each track is just labeled "Channel 1," "Channel 2," etcetera, all the way through to "Channel 16") let me give you the songs as I have been able to identify them:
- iCarly theme
- song from Hungry Hungry Hippos commercials
- Animaniacs theme
- song from McDonald's Big Mac commercials
- Diff'rent Strokes theme
- Malcolm in the Middle theme ("Boss of Me" originally a They Might Be Giants song)
- song from Pac-Man Cereal commercials
- Scooby-Doo theme
- song from Kit-Kat commercials
- Spongebob Squarepants theme
- That 70's Show theme
- song from Oscar Meyer Wiener commercials
- Married With Children theme ("Love and Marriage" originally popularized by Frank Sinatra)
- song from Toys R' Us commercials
- Laverne & Shirley theme
- song from FreeCreditReport.com commercials
Score: N/A
Song(s) to Sample: "That 70's Show theme" and "Malcolm in the Middle theme"
Subscribe to:
Posts (Atom)